CTA Confirms CES 2021 Will Be A Digital-Only Virtual Experience

To much concern all across the global technology industries, the Consumer Technology Association (CTA) announced CES 2021 – January 6-9, 2021 – will be an all-digital experience. Meaning, there will be no CES 2021. There will just be more webinars and online "things," which no show promoter has found out until now what they are, who they are for, and how much are they worth. Certainly not for a strong B2B show like CES. Anyway, given the global pandemic situation, it was all predictable.

AVAtronics SA is developing a patented, True Wideband Active Noise Cancellation technology. The company is headquartered in Lausanne, Switzerland, with a subsidiary based in Sound Hub Denmark, where it has access to world-class acoustic test facilities and audio experts. Being one of the first international start-ups selected for the SoundTech Accelerator Program, one of the first to establish a Danish limited liability (ApS) company, and one of the first to make use of the Sound Hub sound labs, AVAtronics is now also looking to hire employees in Denmark.

GRAS Sound & Vibration announced its partnership with Sound Hub Denmark. The audio test and measurement company grabbed the opportunity to join a world-class sound and acoustics growth hub in Struer, in the North of Denmark, together with other players such us Bang & Olufsen, GN Audio (Jabra) and Harman Lifestyle, among others. Sound Hub Denmark is located in an original red stone factory building with architecture dating back to 1946, and the former location of the Bang & Olufsen R&D department until 2018.

Three young South Korean entrepreneurs with a track record of successful tech startups have announced a second venture: Muzika. Co-founders Inseo Chung, Sangmin Heo, and Jangwon Lee previously launched Mapiacompany, a music technology platform. Muzika will incorporate blockchain technology to build a music sharing platform that envisions a revolutionary token economy for music that allows fans to engage directly in the production, distribution, and consumption of music.